Nebula Conference

How do writers who primarily identify with Anglo-American traditions draw on literary forms that are not privileged in the Anglo-American canon in a way that is respectful as well as interesting? In what ways are the expectations of a “good story” in the Anglo-American tradition perhaps limiting? How can we stretch and expand our ideas about what a “good story” is and how to write one in the context of the full panoply of world literary forms?